Archive for the ‘Mktg – Promotion’ Category

Outback’s $9.99 menu lures budget-strapped boomers …

July 30, 2009

Disclaimer: I’m not unbiased.  Outback is the Homa family restaurant of choice for fancy family meals.

Ken’s Take:  It’s always risky to move away from your traditional value proposition.  Outback is known for a quantity not quality.  Reducing the quantity – even with a commensurate cut in prices – could alienate core customers (like me).

Note that customers get lured in by the lower prices, but end up spending about the same amount as before.  Another marketing triumph, right ?

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Business Week, The Leaner Baby Boomer Economy, July 23, 2009

[Hit by the recession], Outback Steakhouse  … reduced menu prices and offered smaller cuts of beef at Outback to maintain margins … and has gone on an ad blitz pushing the more modest portions for $9.99. This is obviously a tricky balancing act at Outback, where a big slab of meat was the chain’s main attraction.

The good news, says Chief Branding Officer Jody Bilney, is that people who order the less expensive entrées typically end up buying dessert or more alcohol, so the average ticket is still about $19 per person.

Full article – includes vignettes on BMW, Starwood Hotels and others:
http://www.businessweek.com/magazine/content/09_31/b4141026524433.htm

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Marketing Budget Cuts At the Box Office

May 20, 2009

Excerpted from LA Times, “Studios struggle to rein in movie marketing costs” By Claudia Eller, Apr 20, 2009

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You know times are getting tough in the movie business when an entourage of studio executives, instead of flying by private jet to Sacramento to attend a screening, is forced to ride-share … Along with hosting fewer lavish premiere parties, curtailing newspaper advertisements and restricting the number of agencies that produce trailers, the Hollywood studios are struggling to get a grip on the movie industry’s equivalent of the pork barrel earmark: marketing budgets.

And like an entitlement program that can’t be axed, Hollywood isn’t having much success … Studio executives contend that if they want to get out the word to the public about their movies, they have to pony up … “Every film launch is a new-product release …we can’t jeopardize successfully opening these pictures” …

One bit of good news is that the depressed economy has apparently not stopped people from going to movie theaters. Ticket sales are up 17.3% this year from a year earlier, and attendance is up 15.6%.

As the studios have flooded theaters in recent years with an increased number of releases, they have been forced to spend more on marketing as they jostle for the attention of moviegoers. Although studios have begun to reduce the numbers of films they make and squeeze the fees they pay talent, marketing costs have largely escaped the scythe.

After falling from a peak of $40 million in 2003, the average marketing cost for a studio picture popped back up again to $36 million in 2007

But executives say it’s hard to know exactly where to trim marketing costs because they fear spending too little could hurt a movie’s chances at the box office. A picture basically gets one shot to make a mark on opening weekend; if it doesn’t gain traction with audiences, it will be knocked out of the way on subsequent weekends by the next films opening up behind it … As a result, when it comes to cutting marketing costs, the studios have been largely confined to trimming the edges …

Buying commercial time to advertise a movie on network and cable TV remains the biggest marketing expense for the studios … Despite the recession, studios still spent as much as $3 million for each 30-second spot for 10 movies … that aired on the Super Bowl telecast in February.

For the same reason, companies defend their multimillion-dollar Super Bowl ads because of the huge audience the game delivers — about 100 million viewers — and argue that they can’t afford to cut back on network TV ads, even though viewership is declining …

One major contributor to rising marketing costs is the fragmentation of media, which makes it harder to reach an audience. The long-ago three TV network era has given way to an abundance of broadcast and cable channels and Internet sites …

With no end in sight for the recession or the economic pressure that the studios are under to shore up their bottom lines, marketing costs may finally get the same scrutiny as movie production budgets.

“Marketing is really an integral part of this business and always has been as far back as the barkers who used to stand out in front of the nickelodeon theaters and try to get people to come in … we just have to be smarter about it and try to get as much bang for our buck as we can.”

Edit by SAC

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Full Article:
http://www.latimes.com/business/la-fi-ct-movies20-2009apr20,0,4008012.story?track=rss

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Price Only One Part of the Value Proposition …So Say Companies Trying to Raise Prices

May 8, 2009

Excerpted from New York Times, “With Shoppers Pinching Pennies, Some Big Retailers Get the Message”, by Stuart Elliott, April 13, 2009

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As shoppers remain reluctant to open their wallets, stores are still scrambling to adjust advertising and marketing strategies to play up the value aspects of what they sell. Even as retail sales data for March suggested improving results at some chains, consumers are hesitating to buy much beyond groceries, gasoline, vitamins and candy.

Much of the focus on value defines the term in a way that will resonate with choosy shoppers. Value can mean more than low prices, but with unemployment high — and consumer confidence low — many are fixating on cost.

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That is reflected by a change in approach at Home Depot, which introduced a campaign that carries the theme “More saving. More doing.” The theme replaced one used since 2003, “You can do it. We can help.”

J. C. Penney, whose campaign carries the theme “Every day matters,” recently added phrases to its ads like “Style, quality and price matter.”

Whole Foods Market is promoting the lower prices of its private-label brand, 365 Everyday Value, in regional ads with headlines like “Sticker shock, but in a good way” and “No wallets were harmed in the buying of our 365 Everyday Value products.”

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Target, the discount retailer, began running a value campaign on April 5 in newspapers in 19 major markets. The headlines asked, “Why pay more for more?” The campaign seeks to explain the value proposition within the longtime ad theme, “Expect more. Pay less.”

In May, Target plans to advertise with “a whole new articulation” of the promise inherent in the “Expect more. Pay less” theme.

Before the recession, Target “fell into a trap,” and was “not doing as much as we should have been doing” with the “Pay less” part of the theme.

As the principal Target rival, Wal-Mart Stores, made hay with ads carrying the theme “Save money. Live better,” ads for Target played up the stylishness of merchandise or featured the designers behind its apparel and home furnishings.

“‘Expect more’ is the true differentiating play for Target if Wal-Mart owns price. The right price is only the beginning of the conversation.

Edit by DAF

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Full article:
http://www.nytimes.com/2009/04/13/business/media/13adcol.html?ref=media&pagewanted=print

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The Next Big Thing … Ping Pong?

May 7, 2009

Excerpted from WSJ, “Anheiser Gets Set to Play a Whole New Game,” By Matthew Futterman, Apr 27, 2009

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A group of sports and entertainment marketers is betting ping pong will be the next game to sweep the nation, and Anheuser-Busch InBev’s U.S. unit is getting into the action.

Anheuser-Busch … has signed on as the lead sponsor of the Bud Light Hard Bat Ping Pong Tournament, which started last month.

The big brewer is backing Robert Friedman, president of media and entertainment for New York commercial-production company @Radical Media, and several major partners, who think ping pong could be the next Texas Hold ‘Em, the card game featured in the highly successful World Series of Poker.

The nostalgia factor, made keener by the recession, is one reason they are confident of ping pong’s appeal. “This is about the residual goodwill we all feel for the better times we grew up with,” says Mr. Friedman. “This conjures up family.”

As the idea for the new tourney began to jell, Anheuser-Busch was re-evaluating, and even shedding, several longtime deals with athletes and major sports teams … In came ping pong. With exclusive sponsorships for mainstream teams and sports becoming ever more expensive, Anheuser-Busch needed to strike a balance …

The organizers know they have to come up with an innovative approach to televising a game that in the past has been hard to follow because of the speed and the size of the ball. Even if they can, could this really be the next poker?

Poker already had a long-established mystique, built on images of high rollers in deluxe Las Vegas hotel suites, before Internet gambling and the World Series of Poker inspired a wider appreciation of the mental calculations taking place around the table behind low-brimmed caps and sunglasses.

Ping pong, by contrast, is more closely associated with suburban basements and harsh fluorescent lights. Even so, the International Olympic Committee says table tennis is the world’s leading participation sport, with 40 million competitive players world-wide and tens of millions more playing for fun …

Competition started in March, with local Anheuser-Busch distributors supplying Bud Light-branded ping pong tables to some 4,600 bars where regional competitions are under way. Winners can land an invitation to the tournament finals and play for the $100,000 prize in Las Vegas in late June …

That event, which will also include professionals, will be the focus of a two-hour television special that the organizers plan to air on Walt Disney’s ESPN in September.

Mr. Friedman and Jordan Wynn, executive of Mark Gordon Co., say they noticed ping pong re-emerging in popular culture over the past year. The posse on the HBO series “Entourage” played during an episode, for example, and hip-hop star 50 Cent had a ping-pong theme at his birthday party.

“The question was could we take this game out of the basement and the cluttered garages,” says Mr. Friedman. “We think the timing is just right.”

Mr. Wynn goes so far as to suggest ping pong has sex appeal. “It’s taking on this cool cultural space of short-shorts and retro headbands, and it’s kind of goofy, but it’s also got people who take it very seriously,” Mr. Wynn says. “It’s poker eight years ago.”

Edit by SAC

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Full Article:
http://online.wsj.com/article/SB124078190514657141.html

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Is the honeymoon over for FREE user-generated content?

May 4, 2009

Excerpted from Slate, “Do You Think Bandwidth Grows on Trees” by Farhad Manjoo, April 14, 2009

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The darlings of the the Internet…websites built on user-generated content, might seem like an extension of the “Long Tail” concept (all you need are a website and users, right?), but this article points out that these ventures aren’t as profitable as you may think.  The large amount of storage and bandwidth needed for content means that companies need to find a way to cover this high storage and distribution cost if they plan to make a profit (or at least break-even).   Since services are typically free, they rely on advertising to cover these costs, but it doesn’t seem like that is enough.

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Everyone knows that print newspapers are our generation’s horse-and-buggy; in the most wired cities, they’ve been pummeled by competition from the Web. But it might surprise you to learn that one of the largest and most-celebrated new-media ventures is burning through cash at a rate that makes newspapers look like wise investments. It’s called YouTube: According a recent report by analysts at the financial-services company Credit Suisse, Google will lose $470 million on the video-sharing site this year alone. To put it another way, the Boston Globe, which is on track to lose $85 million in 2009, is five times more profitable—or, rather, less unprofitable—than YouTube. All so you can watch this helium-voiced oddball whenever you want.

YouTube’s troubles are surprisingly similar to those faced by newspapers. Just like your local daily, the company is struggling to sell enough in advertising to cover the enormous costs of storing and distributing its content. Newspapers have to pay to publish and deliver dead trees; YouTube has to pay for a gargantuan Internet connection to send videos to your computer and the millions of others who are demanding the most recent Dramatic Chipmunk mash-up. Google doesn’t break out YouTube’s profits and losses on its earnings statements, and of course it’s possible that Credit Suisse’s estimates are off. But if the analysts are at all close, YouTube, which Google bought in 2006, is in big trouble.

There’s a simple reason for this: Advertisers don’t like paying very much to support homemade photos and videos. As a result, the economics of user-generated sites are even more crushing than those of the newspaper business. At least newspapers see a proportional relationship between circulation and revenues—when the paper publishes great stories, it attracts more readers, and, in time, more advertisers. At YouTube, the relationship can be backward: The videos that get the most clicks—and are thus most expensive for YouTube to carry—trend toward the sort of lewd or random flavor that doesn’t sit well with advertisers. 

…YouTube sells ads on fewer than 10 percent of its videos. Credit Suisse estimates that 375 million people around the world will play about 75 billion YouTube videos this year. To serve up all these streams, the company has to pay for a broadband connection capable of hurtling data at the equivalent of 30 million megabits-per-second—about 6 million times as fast as your home Internet connection. All this bandwidth costs Google $360 million a year, the analysts estimate. Then there’s the cost of the videos themselves: Even though many of the site’s most popular content is uploaded for free from users, Credit Suisse says YouTube spends about $250 million a year to acquire licenses to broadcast professionally produced videos. Add in all other expenses, and the cost of running YouTube for one year exceeds $700 million. But the company makes only a fraction of that back in advertising—about $240 million in revenues for 2009, according to the report.

YouTube isn’t alone in Poor House 2.0. Yahoo bought the popular photo-sharing site Flickr in 2005, and though the service might be marginally profitable, it certainly hasn’t added appreciably to Yahoo’s bottom line. (Yahoo similarly doesn’t break out Flickr’s financials.) Facebook provides an even better example. The social network is running up a huge tab to store and serve up all the photos, videos, and other junk you stuff into your profile. Last year, TechCrunch reported that Facebook spends $1 million a month on electricity, $500,000 a month on bandwidth, and up to $2 million per week on new servers to keep up with its users’ insatiable photo-uploading needs. (Members post nearly a billion photos every month.) But Facebook gets relatively little in return for storing all your memories. Ad rates on its network are terribly low, the company doesn’t make a profit, and it hasn’t shed any light on how it will make good on investments that valued the company at $15 billion.

For all the frenzy surrounding citizen-produced media, the content that seems to do best online is the same stuff that did well offline—content produced by professionals. My colleague Jack Shafer recently listed the many services that people are willing to pay for online. They include music from iTunes, game videos from MLB.TV, reviews from Consumer Reports, and articles from the Wall Street Journal—and nothing made on some dude’s cell phone. Or look at Hulu, the video site that shows TV shows and movies. It attracts far less traffic than YouTube does (and thus pays far less for bandwidth). But because advertisers are willing to pay much more to be featured on its videos, Hulu is on track to match YouTube’s revenues and with much lower overhead.

YouTube has been trying to catch up to Hulu in the non-user-generated video business. It has signed content-licensing deals with several Hollywood studios and recording companies in the hopes that it can attract an audience—and advertisers—for the kind of quality programming we now run to Hulu for. But as Benjamin Wayne points out, those deals won’t solve YouTube’s fundamental problem; even if it does begin to make respectable profits from, say, showing old feature films, it’ll still have to keep paying huge infrastructure costs to host the world’s home videos. It’s possible that over the next few years, Google’s engineers could find a way to reduce dramatically the costs of hosting such a service. (They’re capable of amazing things.) But that proposition is iffy. As Wayne argues, there’s a very real possibility that YouTube as we know it is doomed. The company may have to institute restrictions to keep its bandwidth in check, or it could unveil any number of pay-per-use schemes (as some other video sites have done). Then the video free-for-all that we’ve grown to love will come to an end.

That would be unfortunate. Time wasn’t wrong: YouTube and its fellow user-contributed sites really did change the world. Too bad nobody could find a way to pay for it.

Edit by NRV
Full article
:http://www.slate.com/id/2216162/pagenum/all/#p2

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Marketers Step Up Promotions … What Does it Cost the Brand?

April 24, 2009

Excerpted from AdAge, “Deal or No Deal? Cheap Prices Can Maim Your Brand” By Jack Neff, April 06, 2009

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Google searches for the term “coupons” last month for the first time surpassed those for “Britney Spears.”

That simple fact drives home what a lot of package-goods marketers already know: What consumers want now is promotion.

But as the industry increasingly gives in to that wish … the question becomes how much marketers can discount without doing permanent damage to their brands …

For sure, the recession  is creating a huge consumer appetite for deals … Package-goods companies seem to be complying. After relative restraint on trade spending in 2008, marketers appear to have stepped on the gas in February. The percentage of volume sold on promotion was up 5.6 percentage points to 38.4%  …

Much as consumers and retailers may want deals, conventional wisdom is they pose a threat to brand health. Numerous studies have shown price promotion erodes brand equity by permanently making consumers more price-sensitive.

Mmarketers will resist cutting prices permanently as long as possible in favor of stepped-up promotion, because temporary deals erode margins less than permanent price cuts.

Promotion can play a positive role for brands in a recession … Promotion that wins a place on retailers’ circulars becomes more important when more consumers are planning purchases at home, as they are now … Realistically, that usually comes at the expense of a temporary price reduction.

Circulars are used about 45% of the time to create shopping lists … “If I’m a marketer, I want to make sure I’m in context of where the list is being made, because right now about 11% of the shopping list is by brand name, and when it is, there’s an 85% chance [the shopper] is going to buy it.”

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Full Article:
http://adage.com/article?article_id=135800

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The power of FREEconomics

April 16, 2009

Excerpted from Knowledge@Wharton, “How About Free? The Price Point That Is Turning Industries on Their Heads”, March 4, 2009

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There’s an old joke about a businessman who gives away his products. A customer asks: “How do you make money doing that?” He answers: “I make it up on volume.”

It’s nonsensical, yes. But a funny thing has happened: Giving away the product has become a legitimate business model on the Internet and even beyond. And it’s been getting increased attention. Author Chris Anderson will publish a new book in July titled, Free: The Past and Future of a Radical Price. Anderson, the editor of Wired and a former Economist reporter, also wrote the 2006 book, The Long Tail, in which he observed how companies such as Amazon.com and Netflix were thriving by offering gigantic catalogs of products that each sell in small quantities. Today, those companies are among the few thriving through a recession.

Anderson isn’t alone in exploring what has been dubbed “freeconomics.” Venture capitalist Fred Wilson of Union Square Ventures popularized the term “freemium” to describe an emergent business model — popular among online service and software companies — of acquiring users en masse with a free offering but charging for an enhanced version in hopes of subsidizing the free usage.

But what is really new here? After all, “free” has been around “probably since the beginning of business,” says Z. John Zhang, a Wharton marketing professor who has authored books on pricing strategy. “You go to a supermarket and they give you free samples and then you buy a whole box. Some bars let women go in for free and they charge the men. ‘Free’ is one of the most powerful words in marketing. It truly motivates people. If you see ‘free,’ even if you don’t want it, you’re going to get it. Marketers will take every opportunity to use that word.”

Bending the Demand Curve

Indeed, the appeal of “free” has been shown to be so extraordinary that it bends the demand curve. “The demand you get at a price of zero is many times higher than the demand you get at a very low price,” says Kartik Hosanagar, a Wharton professor of operations and information management who studies pricing and technology. “Suddenly demand shoots up in a nonlinear fashion.” Josh Kopelman, a venture investor and entrepreneur who founded Half.com, has written about what he dubbed “the penny gap.” Even charging one cent for something dramatically lessens the demand [generated at] zero cents.

It’s no surprise that many companies have worked “free” into their offers in a number of different ways. “Cosmetics are never on sale. They say, ‘Buy this at regular price and get a free gift.’ That protects the normal price,” says Wharton marketing professor Stephen J. Hoch. Adobe gives away its Adobe Reader software for displaying documents that use the company’s PDF electronic document format, but charges corporations for the Adobe Acrobat software needed to create the documents. “If you charge for both, the software will never take off,” states Hosanagar.

Of course, products and services offered for free aren’t really free; they’re just paid for in another way. Cross-subsidies have been a selling strategy for ages, the classic example being Gillette’s move a century ago to sell razors cheaply to create demand for expensive blades, long before printer makers adopted a similar strategy with printers and their supplies.

Then there are two-sided markets, which derive revenue from two sets of customers. In those, “whichever side is more price inelastic [less sensitive to price changes], that’s the side you want to charge more [for],” says Zhang. In the case of “Ladies’ Nights,” he says, establishments may increase overall revenue by letting women in for free to attract more males — who are price inelastic in that their desire to be there will not be greatly affected by entrance price.

Newspapers traditionally have charged readers as well as the advertisers who want to reach those readers. For years, however, some types of publications have been given away to readers for free, with publishing costs supported by advertisers. But the profusion of free content online has made reader demand extremely elastic — suddenly sensitive to any price above zero — and many publishers are fumbling with revised models, including cross-selling. The Wall Street Journal, for example, now sells wine to readers at wsjwine.com, Zhang notes.

What’s new, of course, is the Internet, which makes the marginal cost of delivering one more product close to zero. As Anderson explains in a February Wall Street Journal article, “Digital goods — from music to Wikipedia — can be produced and distributed at virtually no marginal cost … making price a race to the bottom.” Add in easier sourcing online of cheap products and materials, and the Internet means cost is evaporating from the system and opportunities for free offers have exploded.

Beyond minimizing distribution costs, the Internet has fostered other distinct trends that have pushed prices and consumer expectations toward zero. Two-way markets become more sophisticated online — Google is able to offer web searches for free by matching advertisers to what people appear to be seeking: Search for cars, get some car ads. “Some of these transactions could not be done before, because transaction costs for matching an advertiser with a consumer were too high,” says Hosanagar. This has inspired online firms, such as Google, Yahoo and Facebook, to take advantage of the nonlinear allure of “free” to build giant audiences in hopes of future revenues, even in cases where revenues from ads or other sources are not covering the cost of the free service.

Other factors also have been at play. On the web there’s little financial barrier to set up a store, an information site or blog, and compete with established players who may have high fixed costs and brick-and-mortar investments. This easy entry into markets has played a role in creating what BusinessWeek called the “free-labor economy.” People are putting together elaborate and sometimes useful sites at no cost other than time. Simultaneously, digital technology has enabled easy copying of copyrighted materials — music, movies, photos and news articles — that are or were products of traditional industries. The result of all this has been a change in consumer expectations. A “culture of free” has emerged — there are a lot of things for which people simply don’t expect to pay.

Consumers’ sense of entitlement to free content online “has had catastrophic effects — meaning both large and quick — that I don’t think anyone would have predicted,” says Hoch. “It’s had a yet unknown catastrophic effect on the news. It’s had a catastrophic effect on music. Clearly the concept that you can make it up in volume is bogus, because you can’t. Music CD sales have gone from $13 billion in the U.S. to about $7 billion since 2001 while legal digital downloads generated about $1.5 billion in sales.” 

“Right now, newspapers are doing things that level the playing field, bringing themselves down to the level of lower-quality competition. They should move to the high-end and exploit their advantages and distinctions.” Isaacson advocates for a system that makes it easy for readers to pay small “micropayments” online for the articles they view. But that’s easier said than done. The sort of online micropayments Isaacson and others advocate have a poor track record, in large part because the psychology of the “penny gap” is hard to overcome. It’s especially difficult because people have come to expect a vast selection of no-cost news online. “The last thing you want to do is get people addicted to free. If you’re going to go free, you ought to expect that it is going to be the price forever,” says Hoch. “If you’re going to be a low price seller,” he adds, “you sure as hell better have low costs.”

More Software Apps, Fewer People

The effects of the free culture online have had a hard impact on offline businesses. Many jobs once done by people are turning into software applications, Anderson says. “Your cranky tax accountant has morphed into free TurboTax online, your stockbroker is now a trading web site and your travel agent is more likely a glorified search engine.”

Companies have experimented and struggled with a wide spectrum of pricing strategies. Some see hope in the “freemium” model, giving away a basic version of a product, but charging for premium features. Yahoo lets tens of thousands of fantasy football players participate in its online leagues for free every season, then lures them into paying for real-time game statistics or player scouting reports. Every tax season, companies — including H&R Block and Intuit — offer free basic online tax filing, but charge for more complicated returns. Newspaper web sites have grappled with the question of what content to give away and what to lock up in areas that readers must pay to see.

Some businesses have been especially creative. In 2007, the rock band Radiohead offered its album In Rainbows as a download for a “pay what you want” price. Research firm ComScore estimated 38% of people downloading the album paid an average of $6. A later release of the album as a physical CD sold more copies than the band’s prior two CDs.

“A business needs to adapt its revenue models to new technology,” says Zhang. Not everyone can compete against free, but there are still creative ways — more ways now than ever — to employ the strategy. 

“The problem is in thinking the business model of your industry is ordained forever,” says Werbach. “Business isn’t static, and it’s less static today than it’s ever been. The great challenge the Internet poses is that it makes it possible to very quickly shift the allocation of money in certain industries. It’s not easy to go through that kind of transformation, but that’s life. Successful companies are the ones that appreciate that.”

Edit by NRV
Full article
:
http://knowledge.wharton.upenn.edu/article.cfm?articleid=2169

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Great Moments in Marketing: Stores Lure Men With Booze

April 14, 2009

Excerpted from WSJ “Belly Up to the Bar and Buy Some Jeans” By Ray A. Smith, Apr 2, 2009

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On a recent afternoon, customers at Lost Boys in Washington, D.C., sipped cold beers and watched “Casino Royale” on a giant flat-screen TV.

Lost Boys isn’t a bar. It’s a men’s clothing boutique catering to young professionals. The store’s staff offers shoppers free beer in hopes they’ll enjoy hanging out in the store and shopping a little longer, increasing the odds they’ll buy more.

By offering in-store drinks, a growing number of retailers are trying to get men to shop more like women, who often linger and browse, buy items on impulse, and return time and again to a favorite store. The recession is driving stores to search for anything that gives them even a small edge over rivals. And generally slower traffic gives sales staff more time to offer drinks and talk with shoppers …

When Rick Matthews walked into Lost Boys recently, a sales clerk offered him water or beer. His beer “certainly made me more relaxed,” says Mr. Matthews … He says he doesn’t like shopping … The beer “kept me in the store longer, at least long enough to finish my drink,” he says. Mr. Matthews ended up special-ordering a pair of $200 Earnest Sewn jeans, something he says he would have done without a drink.

Offering alcohol puts men at ease, says Lost Boys owner Kelly Muccio. “I wanted it to be like you’re going to your best guy friend’s house, a guy friend who has great style” …

“Men are more purpose-driven as opposed to window shoppers, so the addition of lounges and/or bars provides a club setting that can give sales associates a natural entrée to engage with this guy,” says Tom Julian, president of brand consultancy Tom Julian Group. “The biggest downside is the investment in these services for a retailer. This can eat up square footage and revenue stream. And once something like a bar or pool table is in, it needs to be maintained.”

While store managers say they don’t measure the sales that serving drinks generates, they think it helps. “It’s that type of innovation in these trying times that sets [retailers] apart and creates buzz” … For stores, the cost of purchasing alcohol is minimal, especially compared to other brand-building efforts like advertising.

Store managers say they are careful when they break the liquor out: usually later in the day. Sometimes, if it’s near the end of the day, store employees will have a drink with customers, the retailers say … Men “love to sit down on the couch, have a drink, try a couple of things on and hang out with some of the staff,” says Matthew Simon, a co-owner of Kesner. “They have that kind of experience and they’ll want to come back.”

His co-owner, Philip Silverman, says that being able to fix customers drinks at the downstairs bar “fit with the whole aesthetic of trying to create a loungey, comfortable atmosphere” and helps differentiate the store …

Stores say they have rarely had a problem with customers drinking too much or spills. “No one’s coming in and doing tequila shots,” says designer Billy Reid. “We’re a clothing store not a saloon.”

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Full Article:
http://online.wsj.com/article/SB123862311574879951.html?mod=article-outset-box

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Nothing Fishy About It … McD’s New Ad is a Hit

April 9, 2009

Excerpted from AdAge, “Behind McD’s Weird Filet-O-Fish Ad” By Eleftheria Parpis, March 11, 2009

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Chris Edwards, evp and group creative director at Arnold, tells a good fish story about scouting locations last year for a garage in which to film a McDonald’s Filet-O-Fish commercial.

The agency team knew going in that the spot would center around a novelty singing fish mounted on a wall. When they found just such a fish proudly displayed at one of the houses they were considering, they knew they’d found the perfect location.

“They had one of the singing fish hanging on their wall … I knew we had picked the right place.”

Today, the McDonald’s spot in question — in which the catch of days’ past sings a techno-driven “Gimme back that Filet-O-Fish!” ditty to a nearby guy chowing on said sandwich — is a legitimate viral sensation. It has garnered more than 300,000 YouTube hits in little more than two weeks.

The team … also seems to have picked the right tune, a catchy, if absurd, song that has led to DJs remixing the track and fans using it as a ring tone.

“It’s definitely the casting and the music,” said Edwards of the buzz the ad has received, including consumer-generated spots posted on YouTube featuring people singing the song while ordering …

The concept for the spot, explains Edwards, came out of the challenge of producing a commercial that could be used in both English and in Spanish. “It was tricky because you can’t rely on dialogue,” he says, and a singing fish would allow for any idiosyncrasies that can occur in dubbing …

Mark Carlson, senior creative director at McDonald’s, said the company traditionally advertises its Filet-O-Fish during the season of Lent with offbeat humor. Of the spot, he said: “We decided it was harmless and that it fits into the personality of the product. We took a risk.”

Carlson said it’s too soon to say whether that risk will pay off, but noted the company usually sees at least a 24% rise in sales of the sandwich during the yearly push …  “There seems to be a lot of viral interest beyond the traditional spot … Because it’s a little different, it stops you in your tracks. It is one of those songs that really sticks in your head — for better or worse.”

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Will Sex Sell Sandwiches? Quiznos’ Edgy Campaign Sparks a Price War

April 7, 2009

Excerpted from Ad Age, “Quiznos Throws Subway Curve With ‘Sexy’ $4 Foot-Long” By Emily Bryson York, March 23, 2009

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Seeking to return to its identity as an edgy upstart, Quiznos is undercutting rival Subway’s $5 foot-long with a $4 version called the Toasty Torpedo, pitched as a product with “12 inches of flavor” by a smoky-voiced toaster that asks a chef to “Say it sexy” and “Put it in me.”

It’s the latest attention-grabbing bid by the nation’s second-largest sandwich chain, which has struggled in recent years because of problems with franchisee profitability and the perception that the food is expensive … “The reality is that we are a challenger brand,” CMO Rebecca Steinfort said … “Our main competition is Subway, which is an 800-pound gorilla. We may be 200 pounds, but they’re 800.”

Quiznos built a following with toasted, high-quality subs and envelope-pushing marketing … While the recession hit Quiznos hard, rival Subway has gone gangbusters with its $5-foot-long promotion, which helped to fuel double-digit increases in same-store sales. At Quiznos, marketing failed to drive traffic and closed stores …

Creative aside, the $4 price point might just be a magic bullet for Quiznos, undercutting its rival in a recessionary market where every dollar counts for consumers. “I think the right price point is very important in the sandwich business,” said Dennis Lombardi, exec VP-food service strategies … Subway’s foot-long “changed the paradigm. So the trick now is: How do you create a product that counters that? And a $4 sandwich sounds like a good start.”

Earlier this year, Quiznos revamped its menu to reduce prices and come closer to the critical $5 mark … This month, Quiznos offered a “Million Sub Giveaway” … While the promotion was an overwhelming success in terms of data collection, a few problems ensued. Quiznos had 1 million e-mails within three days, but some consumers didn’t get their coupons, and others couldn’t print them. A few flustered franchisees turned coupon holders away.

Mr. Lombardi said Quiznos will have to be careful of the promotions it uses to survive the recession, but “it’s much easier to go from premium product to bargain product than it is to go from bargain product to premium product” …

Ms. Steinfort said the chain’s recent marketing efforts have already begun to pay off. Quiznos’ consumer research shows that most customers come into Quiznos and notice the prices are lower, and 70% say they plan to come back. She described the results as being “significantly better,” or showing “hockey-stick-type improvement” over last year, when the chain’s prices were on the rise.

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Coke’s Challenger Brand Hopes to Power over Gatorade

April 6, 2009

Excerpted from Ad Age, “Gator Baiter: Powerade Jabs at Powerhouse,” By Natalie Zmuda, Mar 23, 2009

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The billboard shows the vertical half of what appears to be a Gatorade bottle on one side, with the other side open to the bare blue sky. But what might at first be taken for a mistake is explained by the text: “Don’t settle for an incomplete sports drink.” A few feet down the road perches another billboard, this one showing a fully intact bottle of Powerade. It’s tagged: “The complete sports drink.”

It’s a classic challenger strategy, except it comes from one of the world’s biggest marketers, Coca-Cola Co. The company might be a giant when it comes to soda, but in sports drinks, Coke’s Powerade runs in the shadow of PepsiCo’s Gatorade. So in true competitive fashion, the smaller rival is undertaking a bold and innovative print and outdoor effort that positions the category leader as only half the brand Powerade is.

Powerade’s plan is to blitz the market with messaging that Gatorade is an inferior method of hydration, and says it has the science to back it up. Since early last year, Powerade has been in the lab reformulating its trademark sports drink to include four electrolytes — sodium, potassium, calcium and magnesium — lost during exercise. Gatorade’s formula contains just two electrolytes, sodium and potassium

To get its message across, Powerade … developed a clever comparative campaign that pits the brand against PepsiCo’s Gatorade. “They’re the lion in the category, and we wanted to compare what our drink does for you vs. the competition,” Mr. Kahn said. “People associate [Gatorade] with the category. When you’re another brand competing, you want to make sure to give people a point of difference.”

Powerade also … will take over the cover of ESPN The Magazine, marking the first time the publication has mingled editorial properties with advertising on its cover. It will feature a blank flap obscuring half of the cover image but retaining the magazine title. The front of the flap states, “You wouldn’t want an incomplete cover.” And the back of the flap shows half a Gatorade bottle with the text, “Don’t settle for an incomplete sports drink.” Powerade is then held up as the “complete sports drink” on the inside of the front cover …

According to Beverage Digest, Powerade controls 22% of the sports-drink market, while Gatorade has a 77% share … For its part, Gatorade is shrugging off the attack, maintaining that all Powerade has done is create a spinoff of its Gatorade Endurance Formula, developed in 2004 …

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Automakers Promote A New Breed of Pony Cars … on the cheap, of course.

April 6, 2009

Excerpted from Ad Age, “How to Get Consumers to Pony up for Pony Cars? With Little Advertising” By Jean Halliday, March 26, 2009

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Question: How do you launch a big ad campaign for sexy sports car in the teeth of a recession? Answer: You don’t.

The pony car is back, as each of Detroit’s three carmakers revs up an entry in the segment for the first time in decades. General Motors is bringing back the Chevrolet Camaro, which it discontinued in 2002; Chrysler revived the Dodge Challenger last fall after a nearly 35-year absence … and Ford, which started the pony-car craze in 1964 with the Mustang, launches the newest version of the coupe in April.

Although the redone versions of the classic cars are getting good reviews from auto-buff books and car enthusiasts … the timing is awful as the industry tries to pull out of its worst sales year in decades. As a result, there won’t be high-profile national TV blitzes for the cars from Chevy or Dodge, which will rely more on nontraditional media.

Chevrolet, which started shipping the 2010-model Camaro to dealerships this week, activated a new microsite for the car … Much of the Camaro’s launch will be online … In addition, Chevrolet will back the new Camaro in co-branded ads for the movie “Transformer: Revenge of the Fallen” …

Ford teamed with the nonprofit Mustang Club of America for a long weekend of events in Birmingham, Ala., to celebrate the 45th anniversary of the pony car … Ford Racing also linked up with Miller Motorsports Park to develop a new racing series with Mustangs that will kick off there, complimented by a street party, a driving cruise for Mustang owners and a banquet …

Mike Accavitti, director-Dodge marketing, said the … there are no dedicated ads for the [Challenger]. He said the automaker plans to keep the car fresh by introducing special, limited-edition colors or racing-stripe packages … He figures the Challenger will get a boost from consumers also shopping for the Camaro. He doesn’t expect Chevrolet to bite into Challenger sales, at least for the first two months it’s on sale, because loyal Camaro fans will be the early buyers. “We’ll see a battleground after that … After 35 years, the three pony cars are back” …

U.S. sales across the entire mid-size sporty coupe segment last year only tallied 150,000 units … That compares to some 575,000 units sold in 1995, or 3.9% of all vehicles sold that year. J.D. Power projects the tally for the coupe category next year will total just more than 200,000 units, or 1.7% of all new vehicles sold.

“There’s been a shift in consumers’ taste, so the larger, sporty, two-door vehicles have fallen out of favor … But these two models are more practical than their predecessors.”

Practical maybe, but not inexpensive. The 2010 Camaro starts at $22,995 and the 2010 Mustang at $20,995, but the latter’s performance GT500 convertible version starts at $51,225. The Challenger starts at $22,545 but the souped-up R/T Classic version that went on sale early this year starts at $34,005.

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KFC filling potholes … with chicken ?

April 2, 2009

Excerpted from Brandweek, “KFC Offers to Fill Up the Nation’s … Potholes” By Kenneth Hein, March 25, 2009

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Kentucky Fried Chicken today announced its own urban renewal program. The chicken chain has offered to fill up the potholes in five major U.S. cities to promote its “fresh” brand positioning.

Giving back has become a trend for marketers, including Starbucks, Kellogg’s Frosted Flakes and others that have centered their message around helping the community.

KFC sent a letter to U.S. mayors today asking them to nominate their cities’ roads to be refreshed. Every pothole filled by the fast feeder will be covered in nonpermanent street chalk with the words “Re-freshed by KFC.”

Jason Vargas of the experiential marketing agency Marketing Werks applauded the effort: “That’s street marketing at its finest. It’s a cool way of breaking through the clutter and building buzz.”

The guerilla/community service effort touts the fact that the chain uses only fresh chicken shipped in weekly. The chain’s head marketer Javier Benito, said in a statement, that this is “a perfect example of that rare and optimal occurrence when a company can creatively market itself and help local governments and everyday Americans across the country.” The chain estimates there are roughly 350 million potholes in the U.S. …

Not everyone is enthused about the publicity stunt. “There is an aggressiveness towards moving into new dimensions of public spaces. This would be another example of this unfortunate incursion of advertising messaging into [consumers’ lives],” said Robert Weissman, director of Commercial Alert. “KFC should fix their menu first.”

KFC’s 2008 U.S. sales were off about 1% at an estimated 5.1 billion … It spent $291 million on U.S. media last year, excluding online, per Nielsen Monitor-Plus.

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Grape Nuts Breaks the Mold By Targeting Men

March 31, 2009

Excerpted from WSJ, “Grape Nuts Takes Aim at Men” By Suzanne Vranica, Mar 26, 2009

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Seeking to revive a crunchy stalwart, cereal maker Post Foods is launching a new ad campaign for Grape Nuts that is aimed at men.

The cheeky campaign includes a special Web site on MSN with dozens of two-minute videos … which tout the cereal’s quality and offer advice, such as how to ask for a raise in a recession … The site also offers “The Guy’s Manual,” with tips on topics like restoring vintage cars. The campaign’s print ads, which will run in Sports Illustrated, feature men fishing and golfing and include the new slogan “That Takes Grape Nuts” … 

The campaign is a departure for cereal advertising, which has been dominated by wholesome images of mom and the family breakfast table. Even Grape Nuts, which is eaten mainly by men, has run ads targeting women …

While men are increasingly sharing grocery-shopping duties, the task is still handled largely by women, ad experts say. “Men will be entertained” by the ad, “but is it going to influence their purchase if they aren’t the ones doing the shopping?” asks Kristi Faulkner, a principal at Womenkind, a marketing firm.

“When you do something that is different, there is always some uncertainly,” says Steve Van Tassel, Post’s president. He says Post plans to step up its in-store marketing efforts to make sure that whoever does the shopping is aware of Grape Nuts.

Post is trying to stand out in the $6.6 billion ready-to-eat cereal category, where the Grape Nuts brand has been hurt by a host of competitors in the healthy-cereal category … Grape Nuts sales slipped 15% to $54.2 million during the 12 months ended Feb. 22 from a year earlier …  All Bran saw sales rise 30%.

Wall Street and the packaged-goods industry will be watching the campaign closely. Ralcorp’s (Ralston Purina) accquisition of Post, whose brands include Honey Bunches of Oats, Shredded Wheat and Pebbles, raised questions about how a company known for shunning advertising to keep prices low would handle brands that were largely built through marketing.  Ralcorp spent just $97, 837 on ads last year …

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It’s payday … and I’ve got a deal for you.

March 12, 2009

Ken’s Take:

(1) Surprised this is new news to consumer goods companies. 

(2) Wouldn’t want to be around a cash strapped senior at the end of the month.  Keep reading to find out why 

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Excerpted from WSJ, “Consumer-Goods Makers Heed ‘Paycheck Cycle'” By Anjali Cordeiro, Feb 23, 2009

Makers of household goods and food are paying more attention to the “paycheck cycle” as cash-strapped consumers are showing a tendency to make their largest purchases when their salaries first come in and to cut back as that money runs out.

With more consumers living from paycheck to paycheck, some companies have looked at ways to time their promotions around periods when consumers’ wallets are likely to be well cushioned.

PepsiCo Inc.’s Frito-Lay … has tried “promotions that are different at the beginning of the month than at the end of the month,” CFO Richard Goodman said in a recent interview. “People have more money to spend at the beginning [of the month] and a little less at the end,” he said.

The insight to promote around paychecks came from one of the company’s retailers … That retailer noticed “the strength of the first of the month compared to weakness at the end of the month as people were simply running out of cash” … Early in the month the food and beverage maker started promoting large “multipacks” of snacks sold in the range of $5.98 to $6.98, while near the end of the month it pushed smaller packs that sold for less than $2 … The company’s direct store delivery system, which delivers products directly to retail store shelves, gives it more flexibility on merchandising and promotions.

Consumer purchases can be driven by a paycheck cycle in good times and bad. But the cycle has been heightened in the midst of the U.S. recession and global slowdown. Reaching consumers at the right time and stocking store shelves with the right package size can be key for makers of branded consumer goods …

Kimberly-Clark has watched the paycheck cycle “to make sure we understand it so we have the right things in stock” … The company has seen volume spikes in the first week of the month in its Depend incontinence products business, which is used a lot by senior citizens, who get Social Security checks around that time.

“We want to make sure we’ve got extra inventory, displays set up so we don’t run out of stock at retail … It’s just an understanding of how the consumer wants to buy, so they’ve got the right mix of goods at retail so they are not disappointed.” Consumers have been picking smaller pack sizes rather than the big bundle packs later in the month …

As consumer companies gathered last week at one of the industry’s largest annual conferences, the theme of offering consumers better “value” took center stage. Most consumer makers aren’t cutting list prices for their brands, so finding ways to help consumers stretch paychecks is key. Some companies are rejiggering products to keep prices down and push the value concept …

Heinz is offering consumers larger ketchup bottles that sell at smaller price gaps to private label in the U.S. Meanwhile, Frito-Lay in North America will begin adding 20% more product to take-home bags of its corn-based Tostitos, Fritos, Cheetos and Doritos without increasing the price.

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Get those frugal consumers to buy something …

February 26, 2009

Excerpted from BusinessWeek, “How to Win Frugal Consumers and Influence Them to Buy”, by Susan Berfield, January 29, 2009

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For a while, Paco Underhill of the consulting firm, Envirosell, has been telling merchants that there are no new customers, which is his way of saying that stores must get better at persuading existing customers to purchase more. He has also noticed that people more often make decisions about what to buy when they’re out shopping, not before. This gives stores an opportunity: If they can compellingly present information about merchandise they might exert greater influence on consumers.

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In better times, when people selected an item from the shelf, they usually purchased it. Now the average amount of time shoppers spend in the aisles is increasing, by around 20% as they read labels more carefully. That sounds like it might be a good thing for retailers. But Underhill says people are more frequently discarding items in other parts of the store, particularly near the cash register. “They are trading out or experiencing buyer’s remorse,” he says.

Then there is the matter of choice: Underhill says some shoppers can’t deal with it, and if the item isn’t a necessity, they’ll just walk away. “Merchants have to take some control over the consumer’s eye,” he says. “Put up a sign that says ‘Our Best Seller’ or ‘Our Best Student Computer.'”

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Underhill and I go shopping at Whole Foods, a retailer known for trying to entice shoppers with “good stories” about its products. A large sign over the red kale and rainbow chard is titled “Why Buy Organic.” The explanation is probably too long for most people to read, he says, but that’s O.K. It’s meant to make shoppers feel they’re buying something valuable, maybe doing something virtuous.

A small sign stuck into a pile of Russian Banana fingerling potatoes reads “How cute are these?” Underhill loves it. “These are more expensive than Idaho potatoes, so they’re trying to find creative ways of getting you to trade up or try something new.”

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When Underhill talks to his clients about signs, he is concerned with what he calls the dropout rate, or the percentage of people who don’t read through an important piece of information.

Underhill’s work for a spice maker is an excellent case in point. The company had designed a pricey display for supermarkets, and the prototype categorized the bottles as spices, extracts, essences, or flavorings, and had no noticeable effect on sales. The distinctions the company was making were meaningless to shoppers. “Who cares what it is? What it does to food, how it tastes and smells, are all that counts.”

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Full article:
http://www.businessweek.com/magazine/content/09_06/b4118045670299.htm?chan=top+news_top+news+index+-+temp_news+%2B+analysis

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Velveeta: Kraft’s Super Bowl Hero

February 24, 2009

Excerpted from WSJ, “Velveeta Gets Ready to Party” By Julie Jargon

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When the Super Bowls rolls around, thousands of women across the country are expected to welcome friends to their homes not just to watch the Super Bowl, but to dip into bowls of Velveeta ultimate queso dip.

For snack-food manufacturers, including Velveeta maker Kraft Foods, there’s no bigger day than the day of the big game, when Americans eat 46% more chips than on a typical Sunday …

Using its database, House Party emailed Internet-savvy women ages 25 to 50, Velveeta’s target market, offering them the chance to host a game-day party featuring Velveeta. Both House Party and Kraft also promoted the offer on their Web sites. More than 15,000 women applied, and 2,500 Velveeta lovers were chosen.

The hostesses, who won’t be paid for their services, get “party packs” containing a 32-ounce package of Velveeta, take-home plastic Velveeta storage containers for 16 guests, a recipe for chili con queso dip — along with the requisite cans of diced tomatoes and green chilies — a spinach dip recipe, a dip bowl, a couple of bags of Ritz toasted chips, snack-bag clips, Velveeta coupons, Kool-Aid and cups. House Party said it couldn’t estimate the value of the party packs.

“We don’t attend the parties; doing that would hamper the authentic nature of it … We give the hosts the materials, but very much let them create the kind of party they want to create.”

Of course, Kraft and House Party hope that the menu will showcase Velveeta, and that hosts and their guests, after sampling the product, will serve it regularly at home, as well as talk up its taste … Kraft doesn’t break out sales of Velveeta, but sales have declined in recent years in the “processed cheese loaf” category, and that Velveeta’s marketing efforts are designed to make sure “Velveeta is relevant to people today.”

After using house parties to promote its Philadelphia cream cheese and Grey Poupon mustard last year, Kraft is using the same approach for Velveeta … The Velveeta push is designed to appeal to budget-conscious consumers … “you can buy twice as much Velveeta as cheddar for the same price” … 

When House Party publicized the chance to host a Velveeta party on its Web site, Angilyn Mathews, a stay-at-home mother of five who lives in South Jordan, Utah, says she knew she had to apply … “It’s like an honor to get picked for the party … When we got the party pack with all the fun things inside, it was like Christmas.”

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Advertising moves from TV and mags… to store aisles

February 13, 2009

Excerpted from Strategy+Business, “Major Media in the Shopping Aisle” by M.Egol and C. Vollmer, Jan 12, 2009

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Marketers are using digital and video technology to reach shoppers at the moment that matters most … During the last few years, marketers, retailers, and media companies have intensified efforts to increase the impact of in-store advertising and make it a bigger part of the marketing mix …

A few numbers make it easier to see the growth potential of in-store media. Advertising spending in traditional media … grew by less than 2% annually during 2006 and 2007. But spending for online advertising grew by more than 20% annually … This shift reflects marketers’ desire for greater targeting, interaction with consumers, and measurability — all qualities offered by in-store media.

A similarly significant trend is the movement away from so-called measured media, such as advertising … to “below-the-line” marketing categories such as promotions, loyalty programs, word-of-mouth, events, and any form of retail store display or shopper marketing

Within the realm of below-the-line marketing, in-store advertising promises to attract substantial marketing dollars, for a number of reasons. First … Since people make most purchase decisions at the shelf, in-store advertising allows marketers to reach them just before the “first moment of truth”, when they pick up the product. Second, in-store advertising can increase the effectiveness of the rest of a marketing campaign, “activating” promotions and sponsorships by making them click in consumers’ minds …

Today, marketers can run ads on in-store video networks spanning thousands of screens in retail stores … these ads reach more consumers than the major broadcast networks [and] can increasingly be targeted to a specific aisle in the store …

The money to fuel in-store advertising’s dramatic growth will come from several sources … The growth in in-store advertising does not rep­resent a zero-sum game; it often signifies an expan­sion in the overall pie … True, some of this spend­ing has come at the ex­pense of traditional television budgets or out-of-home budgets for non-digital ads, such as static billboards, but a significant share is incremental …

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For the promise of in-store advertising to be realized, several challenges need to be addressed.

Targeting Today, the same ad is typically broadcast to every aisle across a chain. But some retailers are experimenting with in-store video advertising that achieves a level of personalization and focus unmatched by broadcast and cable TV, because messages can be customized by store aisle, time of day, and neighborhood to better target specific shopping occasions …

Quality of engagement … To counter the perception that the higher production values of home television make brands look better than retail store displays ever could, in-store video ad networks will need to develop research that demonstrates the ad recall and influence of their campaigns. They will need to show that the ads have an impact on consumers; that they are complementary to ads running on traditional broadcast and cable TV; and that they can represent an essential part of an integrated campaign …

AccountabilityUntil recently, there were no standard metrics for audience delivery that could serve as the currency to negotiate ad sales contracts or to optimize the performance of campaigns … Although existing research efforts are helpful in demonstrating the value of in-store media, they don’t provide the systematic, standard sets of metrics that are available for more established media …

Brand integration. Finally, there is significant potential for CPG manufacturers to integrate their brands more effectively into the store. Video ads, for example, may refer consumers to other products, in the same way that Amazon.com currently suggests complementary titles to its book buyers. Marketers can also weave product placements into programming to provide indirect celebrity endorsement.

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Some factors inhibiting the potential of in-store advertising are already being addressed … But this is not enough to engender an in-store revolution. The entire marketing and media ecosystem needs to tackle three key priorities.

First, marketers and their partners must create a programming model tailored to the retail environment … Marketers need to improve the way they frame their message … a better solution lies in creating programming that is developed specifically for retail stores …

Second, marketers and their partners need to better use in-store marketing efforts to upgrade promotions and analytics

Third, integrating in-store media with the broader marketing mix will require some organizational change. Marketing organizations need to break down the traditional walls between divisions and work more directly with a diverse set of agency and media partners … It also needs to be easier for marketers to buy ad inventory by region, rather than by store or by chain … Players across the ecosystem will also need to find a common way to track and demonstrate results …

As companies address these challenges, in-store advertising will become a more valued and widespread component of marketing campaigns. Indeed, the global market for in-store video advertising is poised to take off. Leaders who take the initiative and invest in the right combination of assets and capabilities stand to reap significant rewards …

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Full Article:
http://www.strategy-business.com/resiliencereport/resilience/rr00066?tid=230&pg=all

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Burgers for buddies … everybody has their price

February 10, 2009

Excerpted from the New York Times, “The Value of a Facebook Friend? About 37 Cents”, by Jenna Wortham, January 9, 2009

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You may not be able to get a coupon for a digital TV converter box, but if you’re experiencing a bit of bloat on your Facebook friend list, you can snag a free burger by dropping 10 of your Facebook friends, courtesy of Burger King.

That’s the gist of Whopper Sacrifice, an advertising campaign from Burger King to promote a new version of the company’s flagship sandwich called the Angry Whopper. To earn their free burger, users download the Whopper Sacrifice Facebook application and dump 10 unlucky friends deemed to be unworthy of their weight in beef. After completing the purge, users are prompted to enter their addresses and the coupons are sent out via snail mail.

The application sends a note to each of the banished friends, bluntly alerting them that they were abandoned for a free hamburger.

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It may seem like a counterintuitive marketing strategy, but the agency behind the stunt said it’s a way to use the Web to capture a lot more attention for the same advertising dollars.

“Choosing 10 people can take a lot of time. There’s at least an hour’s worth of people’s eyes on your brand. Maybe you can’t quantify those numbers, but they do add up.”

Besides, “we aren’t giving the burgers away -– you have to sacrifice. You are paying for it but the currency is different.”

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What price is Burger King placing on a Facebook friendship? At a suggested retail price of $3.69 for the Angry Whopper sandwich, customers are trading each deleted friend for about 37 cents’ worth of bun and beef.

Since the application became available in late December, nearly 200,000 Facebookers have been de-friended for the sake of a hamburger. That amounts to more than 20,000 coupons for free Whoppers.

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http://bits.blogs.nytimes.com/2009/01/09/are-facebook-friends-worth-their-weight-in-beef/

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Scan It! Bag It! Save Time! … and, oh yeah, Spend More!

February 5, 2009

Excerpted from Mediaweek, “Stop & Shop Deploys Scan It! in 50 Stores” by Katy Bachman, January 8, 2009

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Launched in Aug. 2007, Modiv Media’s Scan It! system is designed both to save shoppers time, and offer targeted promotions based on current shopping behavior and purchase history. Here’s how the system works: Shoppers pick up a hand-held device as they enter a store and scan their loyalty cards, allowing the system to track the shopper’s progress through the aisles.  They scan and bag their items as they make their way through the store. 

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Coupon offers appears on the device for products in the area where they are shopping.  If the shopper scans the item, the offer is instantly redeemed and the new price is reflected in the total on their scanner.  Once they are ready to check out they scan their loyalty card and pay. 

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A number of major brands have launched campaigns with Modiv Media, including Coca-Cola, Unilever, ConAgra and Procter & Gamble. Retailers—which get a share of the revenue from participating brands—pay for the installation of the system. “Our partnership with Modiv Media is helping us increase customer loyalty and sales by extending our ongoing effort to provide the fastest, easiest and most rewarding personal shopping experience possible,”

According to the CEO of Modiv Media, the Scan It! system saves shoppers as much as 10 to 15 minutes in the store and leads to an increased average spend of $7 more per basket, compared to shoppers that don’t use the system.  

Edit by NRV

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For AMS students – past & present:: A Rogers’ Five Factors analysis of the new device:

The good news…

  • Observable: Yes, very.  Other shoppers notice and watch to see how it works.
  • Trialability: Good.  Store associate there to assist with “training” and answer questions and convince shoppers to give it a try. 

The bad news…

  • Relative advantage: Exclusive coupons may entice some shoppers to continue to use it.  Looking at how long self-scan lines have been in operation it is obvious that most shoppers prefer to use the traditional method of checking out.
  • Simplicity: Questionable.
  • Compatibility: This will likely be the biggest hurdle for most shoppers.  “Trusting” the technology and their ability to master it is likely to take time since it is very different than the current shopping experience. 

Possible vertical niche? 

(Patient) Moms shopping with kids.  Some blog comments from mothers shopping with little ones say that the device keeps their kids engaged and entertained while shopping.

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Full article:
http://www.mediaweek.com/mw/content_display/news/out-there/place-based/e3i7463e6c2968d742bf50c4fcc2b357a09 

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How much of a discount? Depends on how much you're worth.

January 22, 2009

Excerpted from WSJ “Marketers Reach Out to Loyal Customers” by Emily Steel, November 26, 2008

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With the critical holiday-sales season at hand, there’s a new character joining Santa and his elves on the advertising circuit: the analytics geek…Marketers…are mining their customer databases and reaching out to loyal consumers with targeted ads, instead of relying on the traditional yuletide blitz.

Rather than create one TV commercial or send out a single, shotgun email promotion, uneasy retailers…are tapping statistical models and other technologies to send specific consumers promotions based on what is potentially on their shopping lists…

Persuading a satisfied customer to return is cheaper than attracting a new one…in the struggle to do more with less, that concept is becoming even more important. Acquiring a new customer costs about five to seven times as much as maintaining a profitable relationship with an existing customer…

Sears and Ogilvy have developed a system to identify the categories of merchandise Sears customers have purchased in the past and to measure the chance that they will buy those sorts of items again this season. That helps Sears determine the type of emails and point-of-sale offers to aim at individual customers. When customers buy an item online, Sears confirms the purchase with an email including a promotion tied to that product. A person who buys a new appliance at Sears.com might get an email offering a deal on the store’s extended-warranty program.

Sears is even offering customers differing discounts based on its predictions about the value those customers will bring to the company in the long term.

Companies have long tracked the habits of their consumers, but they have been overwhelmed by the reams of data they collect. Only fairly recently has the technology become sophisticated enough to allow marketers to link all the data points together — and work effectively with their advertising partners to leverage that data in ad campaigns…

Even if marketers get closer to predicting what’s on consumers’ wish lists, it’s going to be a tough sell, with people strapped for cash. Growth in e-commerce sales has already slowed significantly this year…

Edit by SAC

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It is clear that marketers can benefit from targeting customers based on Customer Lifetime Value (CLTV).    This is especially important for retailers facing a challenging economic situation with trimmed advertising budgets and customers who are cutting their spending.  The retailers that take advantage of the technology available to more accurately calculate CLTV and then target the more profitable customers have a better chance at a profitable holiday season. 

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Full Article:
http://online.wsj.com/article/SB122766322705958805.html?mod=article-outset-box

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The Numbers Don’t Lie: Competing on Analytics

January 20, 2009

Excerpted from Knowledge@Emory, “The Value and Benefits of Competing on Analytics”, November 13, 2008

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A lot of companies collect data. But it’s the ability to analyze and strategically act on that data that matters, notes Thomas Davenport, the author of the best-seller Competing on Analytics: The Science of Winning.. Most companies use data in a supporting role—not as the strategic weapon it can be.

At a time when competing companies offer similar products and have access to the same technologies analytical customer-facing processes are some of the only areas where businesses can differentiate themselves. “Analytical competitors” mine their data for every sliver of information it offers and then utilize that information in strategic ways. Firms like Harrah’s, Marriott  and Google that use analytical tools in a strategic manner are raising the bar in their industries when it comes to things like customer service, supply chain management and marketing.

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Companies are taking their metrics—marketing metrics, sales metrics and service metrics—and using them, among other things, to segment, cross-sell, forecast, target and study drivers of satisfaction. Rather than looking at what happened, companies are able to predict more precisely what will happen and to better understand how and why it happened. Decisions are based on facts, not hunches or incomplete information.

Historically there’s been as much “art” in advertising and marketing as there has been “science.” Davenport argues that science is more likely to be correct than “art,” and adds that science enables a company to experiment on a small scale before committing a slew of resources to a huge marketing campaign or program.

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Example: Harrah’s

In order to attract and retain customers, Harrah’s uses analytical tools not only to identify profitable customers, but to pinpoint its customers most likely to be wooed by competitors. Through well-designed marketing campaigns—created around information the analytical tools delivered—Harrah’s marketing methods can be strategically aimed at keeping those customers.

Analytical tools allowed the entertainment company to create a well-defined profile of its best customer, developing a beefed-up customer relationship management system anchored by a centralized data warehouse filled with pertinent information about how Harrah’s customers interact with the company. And given this information, Harrah’s marketing efforts are tailored to attract its different constituencies.

For instance, Harrah’s customers who live within driving distance of a casino receive different offers than those who do not. Frequent visitors to the casino in New Orleans are likely to receive different offers than frequent customers in Las Vegas or St. Louis. Harrah’s only targets customers likely to respond to such offers and it has more than 80 different segments for each marketing campaign.

One of the reasons Harrah’s has been so successful, notes Davenport, is because they focused on “one thing early” when it came to analytics. In Harrah’s case that “one thing” was customer loyalty. “In terms of marketing, companies need to think about target areas and about what they’re trying to accomplish,” adds Davenport. According to information available on Harrah’s website, nearly 50 percent of the company’s revenue is driven by marketing and the company’s analytical efforts have helped boost the company’s bottom line.

* * * * *

In studying companies that use analytics successfully, Davenport crafted what he calls “The Ladder of Analytical Marketing Targets”—essentially a best practice guide. First up, build a centralized customer database so that the company can get a comprehensive idea about its customers. The company can then treat “different customers differently” and respond appropriately to a customer’s activity. Companies can keep track of who got what and better manage their marketing campaigns—to the point of personalizing them. Via predictive modeling, companies can answer with much more certainty what customers are likely to do next given what they’ve already done. As a result, companies can make real time, customized offers that make sense to their customers.

Edit by DAF

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Full article:
http://knowledge.emory.edu/article.cfm?articleid=1193#

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Give me a jolt of Reb-A … but please, no calories

January 12, 2009

Excerpted from Ad Age, “Coke, Pepsi Jump on Zero-Cal Sweetener Reb-A” By Natalie Zmuda, Dec 18, 2008

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A new zero-calorie sweetener could boost the beverage industry — if only it can figure out how to market products containing the ingredient.

Coca-Cola and PepsiCo are rolling out products this month that will feature proprietary versions of Rebaudioside A, known as Reb-A.

Advertising messages are almost certain to take a variety of forms, and the products themselves could lead to confusion among consumers.

While consumers are accustomed to “diet” drinks containing a single calorie or none at all — and some of these new Reb-A products are likely to fill that bill — other products will have some calories …

In addition, there are two brand benefits to consider for marketing…some of the new beverages will likely be marketed as lower calorie, while others will be promoted as all natural. “The marketing and messaging is probably not going to be uniform…There’s not one single way of marketing these new beverages.”

Marketing efforts are likely to focus on education and sampling efforts to hook consumers…”In this case, because the ingredient is the differentiation of the product, it will be important to educate consumers about the value and the benefit of the sweetener…The key is to get people to get out and try these products and see for themselves that the products have a superior taste”…

It is unlikely Reb-A will find its way into flagship brands such as Diet Coke or Diet Pepsi…

A survey found that 22% of consumers are extremely interested in trying beverages using the sweetener…42% of those surveyed said they are not interested in trying beverages with Reb-A. Those consumers cited a myriad of issues ranging from safety and health concerns to taste to a preference for sugar…

Edit by SAC

* * * * *

Beverage marketers would be wise to consider the same factors for Reb-A that technology innovations must overcome to ensure product adoption. 

These factors outlined by Everret Roger in Diffusion of Innovations are:

  • Relative advantage over existing options,
  • Compatibility with existing values, simplicity in being understood,
  • Simplicity — easy to understand and to use
  • Trialability on a low risk basis, and 
  • Observability —  the degree to which the innovation is conspicuous to others. 

The biggest hurdle for beverage marketers may be in Reb-A’s simplicity.  While it’s relative advantage in being all-natural is clear, consumers must understand this benefit for it to have value. 

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Full Article:
http://adage.com/print?article_id=133410

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Audi on the Big Screen … a (relatively) cheap way to promote

January 9, 2009

Excerpted from BusinessWeek, “Audi: Putting Its Models in Movie Roles”, by Ron Grover, November 27, 2008

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These are rough times for car companies.  So what’s a car company to do? Hit the movies, that’s what. 

The hot car in Hollywood, these days, is an Audi. In the past few years, it’s hard to go to your local multiplex without seeing that four-ring insignia staring back at you. In this spring’s blockbuster Iron Man, the carmaker had three vehicles in starring roles, including the superhot Audi R8 speedster. And when the action film Transporter 3 opens on Nov. 26, car chase fans will get to see a nearly two-hour commercial for the Audi luxury sedan A8 as it outruns police, outmaneuvers a truck by riding on two wheels, and flies through the air to land on a speeding train—all without so much as losing a hubcap.

* * * * *

Product placement isn’t exactly new in Hollywood, but you have to hand it to the automaker, which has gone into overdrive to go gear-shift to gear-shift with better-known brands that for years have hogged much of the screen time. Audi has done its best to crash just about every awards party in town. They have a fleet of sleek cars at the ready to lend to stars and directors.

It’s all part of the Audi plan to target mega-events, especially as traditional media splinters and audiences dissipate. Earlier this year, the carmaker spent the requisite $2.7 million for a Godfather-spoofing Super Bowl spot, which shows a man waking up in his bed to find the sawed-off grille of a rival luxury car—and ends with the apparent perpetrator speeding off in an R8.

* * * * *

Rumors have always abounded that companies pay hefty sums to get their cell phones, soft drinks, computers, and cars onto the screen. As for money changing hands, Audi steadfastly denies it pays for script time but acknowledges it will occasionally spend hefty amounts to “help promote any flick with which it’s associated.”

Edit by DAF

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Full article:
http://www.businessweek.com/technology/content/nov2008/tc20081126_092112.htm?chan=top+news_top+news+index+-+temp_companies

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Catalina Coupons Customized for You

December 3, 2008

Excerpted from The Wall Street Journal “Personalized Store Ads Take Off” by David Kesmodel, October 23, 2008

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For years, supermarket cashiers have handed shoppers coupons as they left the checkout aisle. These days, shoppers often get narrow paper strips printed with something else: ads related to the shopper’s own buying habits.

Recently, Stouffer’s has used such ads to encourage buyers of its single-serve frozen entrées to join its Dinner Club. Joining the club allows consumers to earn points for buying the Nestlé unit’s products. The points can be used to bid for rewards like TV sets and magazine subscriptions.

Targeted ads like these began appearing in some of the nation’s major grocery stores about two years ago, but big consumer-product companies like Nestlé, Coca-Cola and Kraft Foods are just starting to buy them in significant numbers, as they and other marketers put more emphasis on reaching the right consumer at the right time…

The company behind the ads is Catalina Marketing, a closely held marketing-services firm…Catalina, armed with data provided by retailers about shoppers’ buying habits, showed Stouffer’s that 6.7% of all shoppers accounted for 80% of its single-serve volume. So, Stouffer’s targeted ads at many of these regular buyers, bypassing those who hadn’t bought its products.

Catalina learns which shoppers buy a particular product by tapping into the vast reservoir of data retailers collect from customers who use loyalty cards. Stores offer such cards to their customers as a way of tracking their purchases, typically in return for discounts or access to special promotions…

GlaxoSmithKline has bought ads for its Tums antacid to target shoppers around holidays like the Fourth of July and Thanksgiving, when they tend to eat more heavily. Catalina serves up the ads to shoppers who have bought Tums in the past…

Still, the strategy isn’t foolproof.  Catalina says 80% of consumers read its coupons “most of the time.”

The service tends to be most effective in driving customers to buy more of a product or try a newly launched product.

It is less effective at getting shoppers to cross categories, buying a beverage, for example, from a manufacturer whose cereal they like. 

Edit by SAC 

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Full article:
http://online.wsj.com/article/SB122472576115361225.html

 

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Purina Joins "Marley & Me" in Hollywood

November 20, 2008
Excerpted from Brandweek “Pet-Friendly Purina Pounces on ‘Marley & Me'” by T.L.Stanley, November 2, 2008
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Before there’s a script, or A-list stars or name brand director, what’s to love about a feature film in its most nascent stages?

Answer: A big, goofy, trouble-making dog.
 
Nearly as soon as 20th Century Fox secured the movie rights to Marley & Me: Life and Love with the World’s Worst Dog, Nestlé’s Purina was ready to pounce.
 
That was long before Jennifer Aniston and Owen Wilson made deals to star in the comedy, and Oscar-winning director David Frankel was hired.
 
The pet products marketer signed on as a promotional partner for the all-family comedy…worked with Frankel for product integration, designed a national contest and agreed to hype the DVD as aggressively as the feature release. The details are noteworthy because Purina is a newbie to Hollywood tie-ins..
 
Frankel…will serve as the spokesman and top judge for Purina’s “send us your Marley moments” contest, asking consumers to submit videos of their rascally mutts. In what could be a first for the medium, the Marley DVD will contain some of those consumer-generated videos as bonus features.
 
Marley & Me fit seamlessly into the existing Purina ad campaign that focuses on the endearing qualities of man’s best friend under the tagline, “Long Live Your Dog.”
 
The contest, via longliveyourdog.com, will get its first national TV boost during the Thanksgiving airing of The National Dog Show, a Purina-sponsored event on NBC..
.
The brand will appear in key mischief-making scenes in the movie where Marley is ripping into a bag of Puppy Chow and being bribed with Dog Chow by a hapless pet sitter..
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“We know we really need to stand out,” said Rita Drucker, Fox’s senior vp-feature film promotions. “We can’t bank solely on the awareness and popularity of the book. So we put together deals that would help convey the big broad appeal of the movie.”
The PG-rated comedy will be positioned as perhaps the one choice at the multiplex that everybody in the family can agree on, Drucker said. With the success of Beverly Hills Chihuahua and another Disney dog picture, Bolt, on deck, could there be canine overload at the box office? It’s doubtful, said Paul Dergarabedian, president of tracking firm Media by Numbers. “They’re thematically different enough that it likely won’t matter that they’re coming close together. Besides, dogs are hot right now.”
 
Edit by SAC

Full article:
httphttp://www.brandweek.com/bw/content_display/news-and-features/licensing/e3i397aa99d2932d77d4691144ef42c8dbe

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Excerpted from Brandweek “Pet-Friendly Purina Pounces on ‘Marley & Me'” by T.L.Stanley, November 2, 2008

Watch out Bud, Pepsi Wants to Win

October 6, 2008

Excerpted from the Wall Street Journal “PepsiCo Seeks to Raise Stakes on Super Bowl Ads” September 24, 2008

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When it comes to pumping out Super Bowl ads that score well with viewers, Anheuser-Busch is widely acknowledged to be the master. This year, PepsiCo has a new tactic to steal some of the brewer’s limelight.

The snack-and-beverage company is offering $1 million to anyone who can create a Super Bowl commercial for its Doritos tortilla chip brand that trumps all other ads in viewer rankings during the gridiron matchup…

By dangling a $1 million prize, it hopes to dominate the months of pregame buzz, which many public-relations and ad executives say is far more valuable than winning the myriad Super Bowl ad polls.

This has become a critical way to help offset the high costs of advertising during the Super Bowl. Ad time for this season’s game is selling for about $3 million for 30 seconds, up about 10% from last season.

To top the polls, PepsiCo’s consumer-generated ad would have to outperform the King of Beers, which has won the top spot for the past 10 years in a row, thanks in part to a highly detailed pregame ritual. Its formula involves multiple ad shoots and pregame focus groups around the country to measure viewers’ minute-by-minute reactions to its spots…

Doritos’ marketers are trying to revive the excitement they created at the Super Bowl two seasons ago with a contest inviting consumers to submit their own 30-second ads for the famous triangular chip. It marked the first time marketers used consumer-generated ads at the big game…The contest generated $36 million in free publicity for Doritos before and after the game…

Now, Doritos’ marketers face the challenge of finding an ad that will stand out at a time when consumer-generated advertising is no longer a hot trend.

“The newness that made it special in 2007 is gone — now it’s just another ad,” says Dave Balter, chief executive of BzzAgent, a word-of-mouth media company based in Boston. “They are trying to manufacture buzz”…

Edit by SAC

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Full article:
http://online.wsj.com/article/SB122221123298169049.html

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Models Caught with Cookies

September 17, 2008

Excerpt from BrandWeek “Cookie, Toothbrush Invade Fashion Week” September 8, 2008

You expect to see MAC or Tresemme at Fashion Week, but a Kraft cookie brand?

You won’t see Kraft’s Le Petit Ecolier school boy cookie doing his thing on the runway, but the food giant will offer complimentary samples of the sweet to visitors inside its LU Lounge during Fashion Week…Kraft sees the event, known for its stick-thin models, as the perfect venue to publicize its premium biscuit line.

Kraft isn’t the only brand that has a tenuous link to the industry to glom onto Fashion Week. DHL, American Express and T-Mobile all have sponsorship stakes in this year’s Mercedes-Benz Fashion Week…

Procter & Gamble…is taking both its Tide and Oral-B brands straight to the catwalk…Models wearing clothes washed several times with the new Tide Total Care line walk the runway this morning; and tomorrow, Dash/Smooch presents its latest pajama collection in conjunction with P&G’s new slim, rechargeable Oral-B Pulsonic toothbrush…

The presence of such supermarket-friendly brands makes Fashion Week look increasingly accessible. Critics say that could pose a problem…

Many brands see the event as a way to bask in the glamorous halo of New York’s premiere fashion event. In the case of Tide, P&G is trying to use the brand’s new Total Care line as a crossover from “fabric care to fashion care,” said company rep Kash Shaikh… Oral-B, on the other hand, is going after the consumer who wants a toothbrush that not only delivers whiter teeth, but is aesthetically appealing as well.

Evian was among the first brands outside the rag trade to see Fashion Week’s potential. Evian has been the event’s bottled spring water of record for 10 years straight (1993-2003). After a five-year hiatus…Evian reemerged as the venue’s official H2O sponsor this year. 

Edit by SAC
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As if the Kraft cookies weren’t enough, the Oral-B runway placement included models carrying toothbrushes down the catwalk and then pretending to brush their teach as they danced next to backup singers that performed during the show.  An equally odd pairing between McDonalds & the Olympics helped increase McDonald chicken sandwich sales this summer. Maybe models carrying chicken nuggets is the next unlikely pairing we’ll see on the runway.

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Full article:
http://www.brandweek.com/bw/content_display/news-and-features/packaged-goods/e3i8f41b4ad7b54e9000311387db21d1441?imw=Y

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